The table below shows all reviews penned by Ubaji Isiaka Abubakar Eazy and published on Memorila, arranged in a descending order from the highest viewed to the lowest.
This list is true as at April 1, 2020 15:41hrs.
Ubaji Isiaka Abubakar Eazy's reviews analysis as at April 1, 2020
| SN | Titles | Views |
|---|---|---|
| 1 | Ola RotimiÂ’s Ovonramwen Nogbaisi: When history becomes drama | 2668 |
| 2 | Abubakar GimbaÂ’s Witnesses to Tears: An indictment on our moral order | 1400 |
| 3 | Henrik IbsenÂ’s realism in An Enemy of the People wears the garb of idealism | 1108 |
| 4 | Heroes of bygone days: A review of Ahmed YerimaÂ’s Attahiru | 938 |
| 5 | A visit to the forest of daemons: Reading D. O. FagunwaÂ’s Ogboju Ode Ninu Igbo Irumale | 769 |
| 6 | Womanism in African Literature: The example of Flora NwapaÂ’s Women are Different | 693 |
| 7 | Biafra must be conquered: Olusegun ObasanjoÂ’s My Command | 571 |
| 8 | WomenÂ’s commitment to the common struggle in the Niger Delta region: A review of May Ifeoma NwoyeÂ’s Oil Cemetery | 473 |
| 9 | Writing through the eye of the West: Chika UnigweÂ’s Night Dancer | 391 |
| 10 | Twingle-Twangle: A Twyining Tayle – The choice between two leadership styles | 376 |
| 11 | Dictatorship in Africa: The story in Ngugi wa ThiongÂ’oÂ’s Wizard of the Crow | 349 |
| 12 | Journey to the Niger Delta with Helon HabilaÂ’s paper boat, Oil on Water | 272 |
| 13 | Bessie Head and her When Rain Clouds Gather | 271 |
| 14 | The folktale tradition in a technological world: A review of Onyemaechi Maxwell Opia-EnwemucheÂ’s The Oracle of Isieke | 253 |
| 15 | Chinua AchebeÂ’s There was a Country: A tripartite story in four parts | 213 |
| 16 | Let us talk classicism again: a critical review of Abdul O. UmarÂ’s The Surrogate | 213 |
| 17 | When a goat is pushed to the wall: A review of Wale OgunyemiÂ’s Kiriji | 211 |
| 18 | Okinba LaunkoÂ’s Cordelia: When the dramatist tells a story | 209 |
| 19 | Ikeogu Oke’s The Heresiad – A return to traditional poetry? | 205 |
| 20 | The admixture of humour and tears: The case of Reward NsirimÂ’s Fresh Air and Other Stories | 172 |
| 21 | Femi Morgan is a drunkard: Review of his Renegade | 153 |
| 22 | Merging an education in symbology with telling a scintillating story: The case of Dan BrownÂ’s Angels and Demons | 145 |
| 23 | Irfan MasterÂ’s A Beautiful Lie: A fictional history of India and the birth of Pakistan | 143 |
| 24 | Sterility of the new African middle-class and post-independence disillusionment: a review of Sembene OusmaneÂ’s Xala | 136 |
| 25 | The blooming flowers in A Handful of Dust | 134 |
| 26 | Dan BrownÂ’s versatility in Digital Fortress | 131 |
| 27 | Tayeb SalihÂ’s Season of Migration to the North: A journey into North AfricaÂ’s literary arena | 125 |
| 28 | Souls in search of healing: A review of Abubakar Adam IbrahimÂ’s Season of Crimson Blossom | 123 |
| 29 | Juka Fatou JabangÂ’s The Phoenix: The path to female liberation is via total denigration of men | 114 |
| 30 | Deep reflections on poetry and existence: A review of Umar Abubakar SidiÂ’s The Poet of Dust | 114 |
| 31 | Commitment and the poet: A review of Maxamed Ibraahin Warsame HadraawiÂ’s The Poet and the Man | 114 |
| 32 | Jennie Erdal’s Ghosting: A Double Life – A must read for every writer | 113 |
| 33 | One day in the life of one man: A review of E. C. MichaelsÂ’ Dawn to Dusk | 113 |
| 34 | FBO AkporobaroÂ’s The Lament of the Town Crier: The true calling of the African poet | 107 |
| 35 | Tekena Nitonye TamunoÂ’s Oil Wars in the Niger Delta (1849-2009) is not just history | 102 |
| 36 | Breaking barriers and pushing the frontiers of language: A review of Mutiu Olawuyi’s “The Blotted Pawpaw” (A story without verb) | 98 |
| 37 | Inspiring young africans: T. E. MeniruÂ’s Ibe The Cannon Boy | 97 |
| 38 | Examining the greatness of South African literature through the vista of Can ThembaÂ’s The Will to Die | 95 |
| 39 | The thriller tradition in Nigerian literature: Taminu Sule LagiÂ’s The Bofak Illusion as an example | 85 |
| 40 | Vincent de Paul’s picaresque, Twisted Times – Son of Man | 82 |
| 41 | Amelia: a review of Nike Campbell-FatokiÂ’s Thread of Gold Beads | 81 |
| 42 | The old Wild West in L. Ron HubbardÂ’s Branded Outlaw | 79 |
| 43 | Reading Rudyard KiplingÂ’s The Jungle Book: A journey into the world of my childhood | 74 |
| 44 | Cultural imperialism and alienation in Ngugi wa Thiong’o’s “A Meeting in the Dark” and “Minutes of Glory” | 72 |
| 45 | Yann MartelÂ’s Life of Pi: Surviving against all odds | 63 |
| 46 | Nigerians and the aberrant culture of imbecility and docility: An examination of Abdul O. Umar and Sam IyandaÂ’s Stray Bullet | 61 |
| 47 | James Patterson and Micheal LedwidgeÂ’s Step on a Crack: A deviation from the norm | 61 |
| 48 | Gabriel Awuah MainooÂ’s 60 Aces of Haiku | 59 |
| 49 | Maxamed Xaashi Dhamac ‘Gaarriye’: Rejecting the stains of silence | 56 |
| 50 | A critical appraisal of Elizabeth SemendeÂ’s Rays of a Bleeding Sun by Ubaji Isiaka Abubakar | 56 |
| 51 | Ifrah Monsur: Voice of a refugee artist | #SaturdayReview | 52 |
| 52 | Jacob Unekwu AgadaÂ’s Amongst the Dead, a review by Ubaji Isiaka Abubakar Eazy | 52 |
| 53 | Enemali took me back to those days: A review of Theophilus EnemaliÂ’s Homesick in Paradise | 50 |
| 54 | Nadifa MohamedÂ’s The Orchard of Lost Souls: A realistic depiction of the Somalia of the 80s | 47 |
| 55 | A broken home and uncontrollable anger in Umar Abdul and Ologwu EkundayoÂ’s The Broken Moon | 47 |
| 56 | Jodi Picoult and Samantha Van Leer’s Between the Lines: Murdering our “Happily Ever After” | 42 |
| 57 | Literature in the North: A review of Mujahid Ameen LiloÂ’s City of Smoke | 34 |
| 58 | Cristina Ali FarahÂ’s Little Mother: Capturing the ripple effects of the Somali Civil War | 32 |